Fotografias Originais

Todas as fotografias são reproduções exatas do produto que será entregue ao comprador

Velvet Underground, The & Nico (Lou Reed)

CD Andy Warhol - Importado Digital Remaster- 1967

R$ 55,00

Apenas 1 em estoque


SE - lacrado - Novo com garantia

CD novo, importado, rematerizado, lacrado de fábrica (codigo barras lateral)
The Velvet Underground & Nico is the debut album by American rock band The Velvet Underground and vocal collaborator Nico. It was originally released in March 1967 by Verve Records. Recorded in 1966 during Andy Warhol's Exploding Plastic Inevitable multimedia event tour, The Velvet Underground & Nico would gain notoriety for its experimentalist performance sensibilities, as well as the focus on controversial subject matter expressed in many of its songs including drug abuse, prostitution, sadism and masochism and sexual deviancy.
Though a commercial and critical failure upon release, the record has since become one of the most influential and critically acclaimed rock albums in history, appearing at number thirteen on Rolling Stone magazine's list of the 500 Greatest Albums of All Time[4] as well as being added to the 2006 National Recording Registry by the Library of Congress.
The Velvet Underground & Nico was recorded with the first professional line-up of the Velvet Underground, including Lou Reed, John Cale, Sterling Morrison and Maureen Tucker. German singer Nico was also featured, having occasionally performed lead vocals for the band at the instigation of their mentor and manager, Andy Warhol. Nico sang lead on three of the album's tracks?""Femme Fatale"", ""All Tomorrow's Parties"" and ""I'll Be Your Mirror""?and back-up on ""Sunday Morning"". In 1966, as the album was being recorded, this was also the line-up for their live performances as a part of Warhol's Exploding Plastic Inevitable.
The bulk of the songs that would become The Velvet Underground & Nico were recorded in mid-April, 1966, during a four-day stint at Scepter Studios, a decrepit recording studio in New York City. This recording session was financed by Warhol and Columbia Records' sales executive Norman Dolph, who also acted as an engineer with John Licata. Though exact total cost of the project is unknown, estimates vary from $1,500 to $3,000.

Saiba mais sobre os estados de conservação

Sunday Morning”” (Reed, Cale) – 2:56
I’m Waiting for the Man”” – 4:39
Femme Fatale”” – 2:38
Venus in Furs”” – 5:12
Run Run Run”” – 4:22
All Tomorrow’s Parties”” – 6:00
Heroin”” – 7:12
There She Goes Again”” – 2:41
I’ll Be Your Mirror”” – 2:14
The Black Angel’s Death Song”” (Reed, Cale) – 3:11
European Son”” (Reed, Cale, Morrison, Tucker) – 7:46